Creative Things
Basically stuff I enjoy
Creative Things
ZoomInfo
art21:

“If we forget what used to be, then we’ve lost an ability to really be sensitive to our surroundings.” —Maya Lin
New video in Exclusive: Maya Lin describes the influence of New York City’s ecological history on her recent body of work, currently on view at The Pace Gallery in New York City.
WATCH: Maya Lin: New York
art21:

“If we forget what used to be, then we’ve lost an ability to really be sensitive to our surroundings.” —Maya Lin
New video in Exclusive: Maya Lin describes the influence of New York City’s ecological history on her recent body of work, currently on view at The Pace Gallery in New York City.
WATCH: Maya Lin: New York
art21:

“If we forget what used to be, then we’ve lost an ability to really be sensitive to our surroundings.” —Maya Lin
New video in Exclusive: Maya Lin describes the influence of New York City’s ecological history on her recent body of work, currently on view at The Pace Gallery in New York City.
WATCH: Maya Lin: New York
"Art’s power is the freedom to disrupt and warn. Look deeply; look long. If what you’re viewing doesn’t make sense, look again."

Emily Jain Wilson on Open Space

(via sfmoma)

ZoomInfo
redeyechicago:

These are the 10 people you meet on the CTA. 

So true
redeyechicago:

These are the 10 people you meet on the CTA. 

So true
redeyechicago:

These are the 10 people you meet on the CTA. 

So true
ZoomInfo
artnet:

Josef Albers
Josef Albers (March 19, 1888–March 25, 1976) is one of the forefathers of the Op Art movement and a famed color theorist painter. While at the prestigious Bauhaus school of crafts and fine arts, Albers was exposed to some of the most influential artists of the 20th century, including Oskar Schlemmer, Wassily Kandinsky, and Paul Klee.
Pictured is Albers’s portfolio Ten Variants (1967), one of his most unique series of prints, which is now live for bidding on artnet Auctions. 
artnet:

Josef Albers
Josef Albers (March 19, 1888–March 25, 1976) is one of the forefathers of the Op Art movement and a famed color theorist painter. While at the prestigious Bauhaus school of crafts and fine arts, Albers was exposed to some of the most influential artists of the 20th century, including Oskar Schlemmer, Wassily Kandinsky, and Paul Klee.
Pictured is Albers’s portfolio Ten Variants (1967), one of his most unique series of prints, which is now live for bidding on artnet Auctions. 
artnet:

Josef Albers
Josef Albers (March 19, 1888–March 25, 1976) is one of the forefathers of the Op Art movement and a famed color theorist painter. While at the prestigious Bauhaus school of crafts and fine arts, Albers was exposed to some of the most influential artists of the 20th century, including Oskar Schlemmer, Wassily Kandinsky, and Paul Klee.
Pictured is Albers’s portfolio Ten Variants (1967), one of his most unique series of prints, which is now live for bidding on artnet Auctions. 
artnet:

Josef Albers
Josef Albers (March 19, 1888–March 25, 1976) is one of the forefathers of the Op Art movement and a famed color theorist painter. While at the prestigious Bauhaus school of crafts and fine arts, Albers was exposed to some of the most influential artists of the 20th century, including Oskar Schlemmer, Wassily Kandinsky, and Paul Klee.
Pictured is Albers’s portfolio Ten Variants (1967), one of his most unique series of prints, which is now live for bidding on artnet Auctions. 
artnet:

Josef Albers
Josef Albers (March 19, 1888–March 25, 1976) is one of the forefathers of the Op Art movement and a famed color theorist painter. While at the prestigious Bauhaus school of crafts and fine arts, Albers was exposed to some of the most influential artists of the 20th century, including Oskar Schlemmer, Wassily Kandinsky, and Paul Klee.
Pictured is Albers’s portfolio Ten Variants (1967), one of his most unique series of prints, which is now live for bidding on artnet Auctions. 
artnet:

Josef Albers
Josef Albers (March 19, 1888–March 25, 1976) is one of the forefathers of the Op Art movement and a famed color theorist painter. While at the prestigious Bauhaus school of crafts and fine arts, Albers was exposed to some of the most influential artists of the 20th century, including Oskar Schlemmer, Wassily Kandinsky, and Paul Klee.
Pictured is Albers’s portfolio Ten Variants (1967), one of his most unique series of prints, which is now live for bidding on artnet Auctions. 
artnet:

Josef Albers
Josef Albers (March 19, 1888–March 25, 1976) is one of the forefathers of the Op Art movement and a famed color theorist painter. While at the prestigious Bauhaus school of crafts and fine arts, Albers was exposed to some of the most influential artists of the 20th century, including Oskar Schlemmer, Wassily Kandinsky, and Paul Klee.
Pictured is Albers’s portfolio Ten Variants (1967), one of his most unique series of prints, which is now live for bidding on artnet Auctions. 
artnet:

Josef Albers
Josef Albers (March 19, 1888–March 25, 1976) is one of the forefathers of the Op Art movement and a famed color theorist painter. While at the prestigious Bauhaus school of crafts and fine arts, Albers was exposed to some of the most influential artists of the 20th century, including Oskar Schlemmer, Wassily Kandinsky, and Paul Klee.
Pictured is Albers’s portfolio Ten Variants (1967), one of his most unique series of prints, which is now live for bidding on artnet Auctions. 
artnet:

Josef Albers
Josef Albers (March 19, 1888–March 25, 1976) is one of the forefathers of the Op Art movement and a famed color theorist painter. While at the prestigious Bauhaus school of crafts and fine arts, Albers was exposed to some of the most influential artists of the 20th century, including Oskar Schlemmer, Wassily Kandinsky, and Paul Klee.
Pictured is Albers’s portfolio Ten Variants (1967), one of his most unique series of prints, which is now live for bidding on artnet Auctions. 
artnet:

Josef Albers
Josef Albers (March 19, 1888–March 25, 1976) is one of the forefathers of the Op Art movement and a famed color theorist painter. While at the prestigious Bauhaus school of crafts and fine arts, Albers was exposed to some of the most influential artists of the 20th century, including Oskar Schlemmer, Wassily Kandinsky, and Paul Klee.
Pictured is Albers’s portfolio Ten Variants (1967), one of his most unique series of prints, which is now live for bidding on artnet Auctions. 
ZoomInfo
ZoomInfo
sfmoma:

publicartfund:

Deliciously lovely. 
louisewhitman:

moon83:

“The Art Toast Project Presents:” by Ida Skivenes
Idafrosk.com // Instagram: @Idafrosk
(via: Mashable)

The Magritte! So obvious, and yet my favorite.


Woah, looks like our Rothko toast has some art toast competition! :)


I wanna piece!
sfmoma:

publicartfund:

Deliciously lovely. 
louisewhitman:

moon83:

“The Art Toast Project Presents:” by Ida Skivenes
Idafrosk.com // Instagram: @Idafrosk
(via: Mashable)

The Magritte! So obvious, and yet my favorite.


Woah, looks like our Rothko toast has some art toast competition! :)


I wanna piece!
sfmoma:

publicartfund:

Deliciously lovely. 
louisewhitman:

moon83:

“The Art Toast Project Presents:” by Ida Skivenes
Idafrosk.com // Instagram: @Idafrosk
(via: Mashable)

The Magritte! So obvious, and yet my favorite.


Woah, looks like our Rothko toast has some art toast competition! :)


I wanna piece!
sfmoma:

publicartfund:

Deliciously lovely. 
louisewhitman:

moon83:

“The Art Toast Project Presents:” by Ida Skivenes
Idafrosk.com // Instagram: @Idafrosk
(via: Mashable)

The Magritte! So obvious, and yet my favorite.


Woah, looks like our Rothko toast has some art toast competition! :)


I wanna piece!
sfmoma:

publicartfund:

Deliciously lovely. 
louisewhitman:

moon83:

“The Art Toast Project Presents:” by Ida Skivenes
Idafrosk.com // Instagram: @Idafrosk
(via: Mashable)

The Magritte! So obvious, and yet my favorite.


Woah, looks like our Rothko toast has some art toast competition! :)


I wanna piece!
sfmoma:

publicartfund:

Deliciously lovely. 
louisewhitman:

moon83:

“The Art Toast Project Presents:” by Ida Skivenes
Idafrosk.com // Instagram: @Idafrosk
(via: Mashable)

The Magritte! So obvious, and yet my favorite.


Woah, looks like our Rothko toast has some art toast competition! :)


I wanna piece!
sfmoma:

publicartfund:

Deliciously lovely. 
louisewhitman:

moon83:

“The Art Toast Project Presents:” by Ida Skivenes
Idafrosk.com // Instagram: @Idafrosk
(via: Mashable)

The Magritte! So obvious, and yet my favorite.


Woah, looks like our Rothko toast has some art toast competition! :)


I wanna piece!
sfmoma:

publicartfund:

Deliciously lovely. 
louisewhitman:

moon83:

“The Art Toast Project Presents:” by Ida Skivenes
Idafrosk.com // Instagram: @Idafrosk
(via: Mashable)

The Magritte! So obvious, and yet my favorite.


Woah, looks like our Rothko toast has some art toast competition! :)


I wanna piece!
hardingmeyer:

°

I want to have my own studio one day
ZoomInfo
art21:

“When I start to really hate it, it starts to go someplace. You have to get down into that place where you absolutely hate it and want to rip it off the wall—rip it to pieces and throw it out—to start getting into it.” —Elizabeth Murray
In a new video from the Exclusive series, Elizabeth Murray (1940–2007)—today’s featured artist for “100 Artists”—is shown working in her Manhattan studio on the large-scale painting Bop (2002–03).
WATCH: Elizabeth Murray: “Bop”

This is my favorite art 21 video
art21:

“When I start to really hate it, it starts to go someplace. You have to get down into that place where you absolutely hate it and want to rip it off the wall—rip it to pieces and throw it out—to start getting into it.” —Elizabeth Murray
In a new video from the Exclusive series, Elizabeth Murray (1940–2007)—today’s featured artist for “100 Artists”—is shown working in her Manhattan studio on the large-scale painting Bop (2002–03).
WATCH: Elizabeth Murray: “Bop”

This is my favorite art 21 video
art21:

“When I start to really hate it, it starts to go someplace. You have to get down into that place where you absolutely hate it and want to rip it off the wall—rip it to pieces and throw it out—to start getting into it.” —Elizabeth Murray
In a new video from the Exclusive series, Elizabeth Murray (1940–2007)—today’s featured artist for “100 Artists”—is shown working in her Manhattan studio on the large-scale painting Bop (2002–03).
WATCH: Elizabeth Murray: “Bop”

This is my favorite art 21 video
art21:

“When I start to really hate it, it starts to go someplace. You have to get down into that place where you absolutely hate it and want to rip it off the wall—rip it to pieces and throw it out—to start getting into it.” —Elizabeth Murray
In a new video from the Exclusive series, Elizabeth Murray (1940–2007)—today’s featured artist for “100 Artists”—is shown working in her Manhattan studio on the large-scale painting Bop (2002–03).
WATCH: Elizabeth Murray: “Bop”

This is my favorite art 21 video
art21:

“When I start to really hate it, it starts to go someplace. You have to get down into that place where you absolutely hate it and want to rip it off the wall—rip it to pieces and throw it out—to start getting into it.” —Elizabeth Murray
In a new video from the Exclusive series, Elizabeth Murray (1940–2007)—today’s featured artist for “100 Artists”—is shown working in her Manhattan studio on the large-scale painting Bop (2002–03).
WATCH: Elizabeth Murray: “Bop”

This is my favorite art 21 video
art21:

“When I start to really hate it, it starts to go someplace. You have to get down into that place where you absolutely hate it and want to rip it off the wall—rip it to pieces and throw it out—to start getting into it.” —Elizabeth Murray
In a new video from the Exclusive series, Elizabeth Murray (1940–2007)—today’s featured artist for “100 Artists”—is shown working in her Manhattan studio on the large-scale painting Bop (2002–03).
WATCH: Elizabeth Murray: “Bop”

This is my favorite art 21 video
art21:

“When I start to really hate it, it starts to go someplace. You have to get down into that place where you absolutely hate it and want to rip it off the wall—rip it to pieces and throw it out—to start getting into it.” —Elizabeth Murray
In a new video from the Exclusive series, Elizabeth Murray (1940–2007)—today’s featured artist for “100 Artists”—is shown working in her Manhattan studio on the large-scale painting Bop (2002–03).
WATCH: Elizabeth Murray: “Bop”

This is my favorite art 21 video
sfmoma:

SUBMISSION:
Blake Daniels
Capricho № 81: ¿No le basta? (Isn’t it enough?) 2013
oil on canvas
 60”x44”

hmm. intresting